As a south-west based disabled artist, my practise sits between the space of digital and live performance. I want to directly challenge categorisation, re-writing notions of what is disabling about being disabled. Shifting perceptions of disability towards positive identity drives my creative work, from the mundane to the theatrical.
My work sits between theatre, performance, dialogue, live art and digital media. I am interested in the flow between performance and space -- a dynamic approach to explore, understand, question and ultimately challenge ‘othering’.
I legitimise my lived experience as a disabled body to create original performance and engage audiences on a human level. Finding commonality through dialogic, relational practises, artists and audiences can come together to tackle hegemony in all its forms.
I invite audiences into arrestive dialogues, laced with humour, discomfort and commonality. Rejecting narratives of ‘pity’, my work has incorporated: physicality, farce, immersion, rage, music/sound/language; planted ‘hecklers’ in performance spaces; malfunctioning AAC devices; self-referential storytelling, presentations of ‘failures’ and vulnerabilities.
A detailed overview/CV of my journey through creativity and collaboration can be found here
‘Feeling uncomfortable is a necessary part of unlearning oppressive behaviors’ – Kailash Satyarthi
Click here to read more about the central pillars of my practise, which helps ensure quality throughout collaboration and apply practise
Use the navigation bar to explore my performance and written practise with the – or click here to learn more about my involvement with collaborations lead by peers.
Photo credits for the majority of graphics within this website (unless otherwise stated): Emily Appleton, South West Theatre Photography – Emily is a local event photographer who always captures the essence and character of every creative session and platform performance